New French Extremism

New French Extremism

« New French Extremism », ou « New French Extremity », est un terme inventé par le journaliste américain James Quandt, et repris par le critique de cinéma britannique Jonathan Romney, pour qualifier et décrire une génération de films, jugés transgressifs et violents, de réalisateurs français de la fin du XXe siècle et du début du XXIe siècle[1].

James Quandt inclut dans ce courant François Ozon, Gaspar Noé, Catherine Breillat, Bruno Dumont, les films Trouble Every Day de Claire Denis, Intimité de Patrice Chereau, Le Pornographe de Bertrand Bonello, Dans ma peau de Marina de Van, Pola X de Leos Carax, La Vie nouvelle et Sombre de Philippe Grandrieux, Choses secrètes de Jean-Claude Brisseau, La Chatte à deux têtes de Jacques Nolot, Baise-moi de Virginie Despentes et Coralie Trinh Thi, ainsi que Haute tension de Alexandre Aja[1].

Jonathan Romney inclut, lui, les films Demonlover de Olivier Assayas, Ma mère de Christophe Honoré et Process de C.S. Leigh[2].

Références

  1. a et b (en) James Quandt, « Flesh & Blood: Sex and violence in recent French cinema », dans Artforum, février 2004 [texte intégral (page consultée le 5 février 2010)] 
  2. (en) Jonathan Romney, « Le sex and violence », dans The Independent, 12 septembre 2004 [texte intégral (page consultée le 5 février 2010)] 

Sources


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