Susan McClary

Susan McClary
Susan McClary
Activités chercheuse
musicologue
essayiste
professeur(universitaire)
Naissance 2 octobre 1946 (1946-10-02) (65 ans)
St Louis, Missouri, Drapeau des États-Unis États-Unis
Langue d'écriture Anglais américain
Mouvement Féminisme
New Musicology
Œuvres principales

'Feminine Endings: Music, Gender, & Sexuality'

Susan McClary (né le 2 octobre 1946, est une musicologue et essayiste féministe liée au mouvement de la "New Musicology", connue pour ses travaux combinant musicologie et les études féministes. McClary est professeur de musicologie à l'Université Case Western Reserve.

Biographie

McClary est née à St Louis, Missouri. Elle a été reçue au "BA" ("Bachelor in Arts") en 1968. Elle poursuit ses études à l'université d'Harvard. Elle obtient son Master en 1971 et son doctorat en 1976. Sa thèse de doctorat portait sur les transitions d'une écriture modale à une organisation tonale dans l’œuvre de Monteverdi. La première moitié de sa thèse fut reprise, retravaillée et étendue dans son livre Modal Subjectivities: Self-fashioning in the Italian Madrigal en 2004. Avant d'obtenir le titre de professeur et d'enseigner à UCLA en 1994, elle enseignait à l'université du Minnesota de 1971 à 1991 et L'université McGill de 91 à 94. Elle est aussi professeur à l'université d'Oslo. McClary est mariée au musicologue Robert Walser.

Bibliographie sélective

  • "The Blasphemy of Talking Politics during Bach Year." In Music and Society: The Politics of Composition, Performance and Reception. Ed. Leppert and McClary. Cambridge: Cambridge University Press, 1987. 13-62.
  • "Terminal Prestige: The Case of Avant-Garde Music Composition." Cultural Critique 12 (1989): 57-81.
  • Georges Bizet: Carmen. Cambridge: Cambridge University Press, 1992.
  • "Constructions of Subjectivity in Franz Schubert's music." In Queering the Pitch. Ed. Brett, Wood, and Thomas. New York: Routledge, 1994. 205-33.
  • Feminine Endings: Music, Gender, & Sexuality. 2nd. ed. Minneapolis: University of Minnesota Press, 2002 (1991).
  • Conventional Wisdom: The Content of Musical Form. Berkeley: University of California Press,, 2001
  • Modal Subjectivities: Self-Fashioning in the Italian Madrigal. Berkeley and Los Angeles: University of California Press, 2004.

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